I Like Pushing Boundaries: Yinka Shonibare On His Landmark Art Show In Madagascar

The British-Nigerian artist explores colonialism and connection in his first major solo exhibition in Africa. Plus, a grime MC goes oyster farming Hello and welcome to The Long Wave. Earlier this month I was in Antananarivo, Madagascar, where I checked out the British-Nigerian artist Yinka Shonibares first major solo exhibition in Africa. For this weeks newsletter I caught up with him about the landmark show, and learned a lot about the growing Malagasy art scene. Madagascar is not a country that figures prominently in media western or otherwise beyond the and as such it was difficult to know what to expect. I hadnt imagined an opportunity to visit, and so Fondation Hs invitation to the capital to explore the art scene felt once in a lifetime. It was certainly a long way to travel for an exhibition: from London, with a stopover in Addis Ababa, Ethiopia, the journey topped 15 hours, though as soon as I landed in Madagascar I was instantly taken by its lush, grassy plains and mountainous topography.